I am a socially-engaged visual artist. I work principally with moving image, making standalone artists' film and installations. My work often plays with mainstream and accessible forms – documentary, music video, magazine – so as to move beyond a traditional gallery audience.
I am interested in who makes work, how, why, for whom, and why that matters. I often produce work within a discrete community or interest group, making work with a personal connection to my collaborators and broader social relevance. I want to celebrate and make visible the joy of the making process itself and explore its value for individual and collective growth and change. I develop processes to enable diverse groups of people to make work together. This focus is mirrored in the subject matter of my work, which deals with themes around our social environment and relationships with one another.
Full list of shows, talks, teaching, awards etc: here.
Curatorial work: here.
Film work produced by satellite.
Editions via artists’ imprint bored.of.works.
Consultancy work: here.
WinterSessions Residency at V2, Rotterdam - exhibition Fri 26th Feb
2025 Awards for Artists - Paul Hamlyn Foundation (UK)
Artist Award recipient - Henry Moore Foundation (UK)
Never Sleep - Four Corners/Chisenhale Gallery (London, UK)
2024Rabbits Road Press/UCL Residency (London, UK)
2023 Never Sleep - Chisenhale Gallery Project Space (London, UK)
An Intermission acquired by Arts Council England for the National Art Collection (UK)
2022 Selected - Lodestars - Film London (London, UK)
Prophecy - Mead Gallery (Coventry, UK)
2021 Jury Member - International Documentary Festival Amsterdam (IDFA) (Amsterdam, NL)
Aesthetica Art Prize - longlist (UK)
Baltic Open (Gateshead, UK)
2020 Bloomberg New Contemporaries (UK)
Trellis Commission - UCL Culture (London, UK)
International Documentary Festival Amsterdam (IDFA): Best Children’s Documentary Award - Jury Special Mention (Amsterdam, NL)
Gasworks Residency (London, UK)
2019 British Film Institute (BFI)/DocSociety Made Of Truth Award (UK)
Guardian/Joseph Rowntree Foundation Award - Doc/Fest (Sheffield, UK)
Constellations - UP Projects/Flat Time House (London, UK)
3m x 50m - paint, cut vinyl, print, archive photography
2020
Co-curated with Liz Hingley.
Large-scale indoor installation made from paint, overpaid cut vinyl, framed and unframed archive photography, large-scale photographic prints, and archive moving image, orbiting a multi-screen installation by Mumbai-based artist collective CAMP, and with an accompanying publication (70pp, edition of 1000).
A PASSAGE THROUGH PASSAGES
On roads in South Asia
17 January – 21 March 2020
Brunei Gallery, SOAS University of London
The exhibition takes us on new and recently rebuilt roads across South Asian regions of Pakistan, Sri Lanka, the Maldives and India. It travels through the early twentieth century to the central-Indian "Nagpur Road Plan" of 1943 before heading to the hope, promise, acceleration and hubris of later decades. It takes now-impossible journeys across nation-states, on roads after and before conflicts, and onto coralline oceanic edges.
A PASSAGE THROUGH PASSAGES’ is part of Roads and the Politics of Thought, a European Research Council funded, 5-year ethnographic study of road-building in South Asia led by Edward Simpson (SOAS) supporting an inter-disciplinary team of researchers, curators and administrators from five countries. www.roadsproject.net
A programme of talks, discussions and other events accompanied the exhibition.
Project leader: Professor Edward Simpson
Institution: School of Oriental and African Studies (SOAS), London, UK
Funded by: European Research Council